Supporters
Musicians
StackOne
• １９９６
• ｌｏ-ｆｉ & ｂｏｏｍｂａｐ
• @ ｓｐ４０４ｓｘ
• @ ｆｒｕｉｔｙ ｌｏｏｐｓ
Blunt Shelter Records
beats + vibes + homies + blunts = Blunt Shelter Records
Artists:
@Herring Franky
@StackOne
@FrankClear
@TheDrumlord
@BluntOne
@Twinflame
BluntOne
csnts
Herring Franky
Filthy
Frankclear
Devaloop
The Drumlord
Type Raw
SRAW
Lusta Bítek
Jazzbois
Odyssee
Vibes provider / Utopia
Mujo
:)
tusken
B-Side
Flughand
Juan RIOS
Laqueus
Wun Two
Wun Two
Leplezett
Loop.holes
Loot Fattig
Production Quintet. Boogie down Norway!
Smoke Trees
smooth, relaxed beats from stuttgart (germany)
Psalm trees
Psalm : 1."to pluck, play a stringed musical instrument" 2."a sacred song or poem"
Trees : 1."a plant, usually developing branches at some distance from the ground"
Philanthrope
Beatmaker/Rotterdam
Requests: philanthrope@gmx.at
Mono:Massive
Mono:Massive is an austrian beatmaker since the late 1990s, making hiphop music with attention to authenticity.
mono's music is a fusion of organic sound textures, synthetic sounds, outside the box groove patterns and warm, analogous style mixing to achieve a forward thinking beat structure but keep that oldschool hiphop spirit. the sampling is based on 50s to 80s jazz, soul, funk and progrock records.
mono worked with international musicians and rap crews, and contributed to a few compilations and albums in europe and the USA.
for booking or beat sale as well as anything else: mono6020@gmail.com
Soho
Rzuma
Dusty loops for your auditory canal. raw suppliers is the team.
Nagy Ákos
His art is synthetic and shows synthesizing tendency which is built from the Netherlandish polyphone tradition. He examined Gothic and late Renaissance music, traces of which show up in his later music along with elements of Transsylvanian, Indian, Khmer, Balinese and Japenese classical culture. He is researching the rhythm and tone systems outside Europe. He turns towards exploring new forms and structures, filling them up with his characteristic take on melody which origins usually from non-tempered (just intonation) systems. His music juxtaposes solid blocks of sound that keep reprising accumulatively – a method he branded ’layering technique’. He has been experimenting with psychoacoustic ‘tricks’ for example morfing tremolos with different tempos, phenomenon of binaural beats, low frequencies impulses (ELF-WLF), sounds of pulsars, magnetars and other radio signals from space, different spectral distortions, paradox of tritone and octave, glissando-like effects, scale illusions and Doppler-effect. Apart from acoustic instruments he is interested in electronic instruments, electro-acoustic music, sound synthesis, percussions and instruments which differs from European ones for example shakuhachi, hichiriki, sho, bansuri, serpent, hurdy-gurdy, viola da gamba, etc. He is preparating piano, dulcimer, viola, flute with clarinet piccolo jet which has to be put into the head of the flute. His music is influenced by the I-II World War Avant-garde, the American experimental, the early psychedelic music, many European and outside Europe folk music and former arts. In his pieces, he shows a penchent for mathematical series, textures arranged after priciples of variation which are substantiated with polyrhythmic, polytempoed, polymetric patterns of melody and rhythm.
