Supporters

In order of appearance

Musicians

StackOne    - Music producer of H2OFlow

 

• 1996

• lo-fi & boombap

• @ sp404sx

• @ fruity loops

 

 

Blunt Shelter Records

 

beats + vibes + homies + blunts = Blunt Shelter Records

Artists:

@Herring Franky

@StackOne

@FrankClear

@TheDrumlord

@BluntOne

@Twinflame

 

BluntOne

 

 

 

 

 

 

 

 csnts

 

 

 

 

Herring Franky

 

 

Filthy

 

 

 

 

 

 

 

Frankclear

 

 

 

 

 

 

Devaloop

 

 

 

 

 

 

 

The Drumlord

 

 

 

 

Type Raw

 

 

 

 

SRAW

 

 

 

 

 

 

 

Lusta Bítek

 

 

 

Jazzbois

 

 

 

 

 

 

 

Odyssee

 

Vibes provider / Utopia

 

 

 

 

 

Mujo

     :)

 

 

 

 

 tusken

 

 

 

 

 

B-Side

 

 

 

 

 

 

 

 

Flughand

 

 

 

 

 

 

 

Juan RIOS

 

 

 

Laqueus

 

 

 

 

 

 

 

Wun Two

 

Wun Two

 

 

 

 

Leplezett

 

 

 

Loop.holes

Loot Fattig

 

Production Quintet. Boogie down Norway!

 

 

 

Smoke Trees

 

smooth, relaxed beats from stuttgart (germany)

 

 

 

 

 

 

Psalm trees

 

Psalm : 1."to pluck, play a stringed musical instrument" 2."a sacred song or poem"

Trees : 1."a plant, usually developing branches at some distance from the ground"

 

 

Philanthrope

 

Beatmaker/Rotterdam

Requests: philanthrope@gmx.at

 

 

 

 

Mono:Massive

Mono:Massive is an austrian beatmaker since the late 1990s, making hiphop music with attention to authenticity.

mono's music is a fusion of organic sound textures, synthetic sounds, outside the box groove patterns and warm, analogous style mixing to achieve a forward thinking beat structure but keep that oldschool hiphop spirit. the sampling is based on 50s to 80s jazz, soul, funk and progrock records.

mono worked with international musicians and rap crews, and contributed to a few compilations and albums in europe and the USA.

for booking or beat sale as well as anything else: mono6020@gmail.com

Soho

 

 

 

 

 

 

Rzuma

 

Dusty loops for your auditory canal. raw suppliers is the team.

 

 

 

 

Nagy Ákos

His art is synthetic and shows synthesizing tendency which is built from the Netherlandish polyphone tradition. He examined Gothic and late Renaissance music, traces of which show up in his later music along with elements of Transsylvanian, Indian, Khmer, Balinese and Japenese classical culture. He is researching the rhythm and tone systems outside Europe. He turns towards exploring new forms and structures, filling them up with his characteristic take on melody which origins usually from non-tempered (just intonation) systems. His music juxtaposes solid blocks of sound that keep reprising accumulatively – a method he branded ’layering technique’. He has been experimenting with psychoacoustic ‘tricks’ for example morfing tremolos with different tempos, phenomenon of binaural beats, low frequencies impulses (ELF-WLF), sounds of pulsars, magnetars and other radio signals from space, different spectral distortions, paradox of tritone and octave, glissando-like effects, scale illusions and Doppler-effect. Apart from acoustic instruments he is interested in electronic instruments, electro-acoustic music, sound synthesis, percussions and instruments which differs from European ones for example shakuhachi, hichiriki, sho, bansuri, serpent, hurdy-gurdy, viola da gamba, etc. He is preparating piano, dulcimer, viola, flute with clarinet piccolo jet which has to be put into the head of the flute. His music is influenced by the I-II World War Avant-garde, the American experimental, the early psychedelic music, many European and outside Europe folk music and former arts. In his pieces, he shows a penchent for mathematical series, textures arranged after priciples of variation which are substantiated with polyrhythmic, polytempoed, polymetric patterns of melody and rhythm.

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